KONTAKT – 3,55 GB
CineHarpsichord是对Franco-Flemish 1624 IohannesRückersColmar harpsichord的现代改编，在加利福尼亚州洛杉矶的Sony Pictures Studios的MGM Scoring舞台上进行了手工采样。 CineHarpsichord具有四个音调和三个截然不同的声音特征，适用于计分和经典应用。
大键琴共有3个音色，每个音色都基于其自己的组合：
01电影大键琴
02巴洛克式
03复古
主要混音01 CineHarpsichord，包括FULL，CLOSE，ROOM和SURROUND混音，与我们的其他库相似。使用Tim的Mix（主要混音），Dry and Close，左右Orch和您可以保存的自定义混音的各种混音角度，使用左侧的混音预设。因为大键琴是一种打击乐器，所以我们延迟了关闭麦克风的时间，使其与房间和环绕麦克风在时间上对齐，以防止出现典型的发火效果。该延迟将在完全混合以及关闭混合中应用。
02巴洛克风格的混音在各个方面都很具体-透视图，图像和色调形状。因此，仅需一个立体声推子。这是一种更加环境的混音，带有接近麦克风的触摸，没有时间对齐的延迟，从而提供了更柔滑，更远的感觉。
03 Vintage混音在各个方面也非常具体，因此仅需要一个立体声推子。
这种混合更有利于从磁带仿真和离散外部模拟处理（包括Chandler EQ和电子管谐波失真）的角度出发。
透视推子
CineHarpsichord包含我们新的“透视模式”功能，该功能允许通过麦克风位置进行更改。激活“透视模式”时，将出现一个滑块，可在麦克风透视之间进行平滑的淡入淡出。滑块会自动映射到“调制轮”，从而可以立即控制CineHarpsichord的相对深度。
性格
大键琴的配置是它所包含的弦乐合唱团的集合。我们采样的Franco-Flemish 1624 IohannesRückersColmar harpsichord的现代改编版具有多个合唱团，可通过切换音栓来访问。其中包括两组8英尺长的弦，一组4英尺长的弦和一个buff止动件（琵琶止动件）-这种止动件将柔软的皮革片压在第一组8英尺的弦上，产生柔和的pizzicato音。
单：1×8’
双：2×8’
三重：2×8’+ 1×4’
增益：1×8’
在三重停止时，较低的力度会显示弦的合唱之间的时间差很小。这是由于物理机制在上合唱团之前拔下了下弦合唱团。在正常演奏期间，它们同时发声。
轮循借款
RR借用旋钮将周围的音符用作附加的循环演奏。值6导致最多+/-三音的借入，每个音符最多提供24个额外的循环知更鸟。零值在每个动态级别播放两个轮询。较高的值会导致更多的轮询和更多的色调变化。
发行量
该旋钮可控制释放样品的体积。注意：这会影响仪器的环境。
动力学
通常，大键琴的动态变化很小。但是，动力学控制允许一定范围的变化。
要求Kontakt 5.6.8及以上
CineHarpsichord is a modern adaptation of a Franco-Flemish 1624 Iohannes Rückers Colmar harpsichord sampled by hand at the MGM Scoring Stage at Sony Pictures Studios in Los Angeles, California. With four stops and three distinct sonic characters, CineHarpsichord will be suitable for use in scoring and classical applications.
There are 3 patches of the harpsichord, each is based on its own mix:
01 CineHarpsichord
02 Baroque
03 Vintage
The main mix, 01 CineHarpsichord, includes FULL, CLOSE, ROOM, and SURROUND mixes similiar to our other libraries. Use the mix presets on the left for a variety of mix perspectives from Tim’s Mix (the main mix), Dry and Close, Orch Left and Right, and a custom mix you can save. Because the harpsichord is such a percussive instrument, we delayed the close microphones to time-align with the room and surround microphones to prevent that typical flamming effect. That delay is applied within the FULL mix as well as the CLOSE mix.
The 02 Baroque mix is very specific in every aspect – perspective, image, and tonal shape. Therefore, one stereo fader is all that is needed. This is a more ambient mix with a touch of the close microphones without the time-aligned delay in order to provide a more silky, distant feel.
The 03 Vintage mix is also very specific in every aspect and thus, only one stereo fader is needed.
This mix favors a closer perspective with tape emulation and discrete out-board analog treatment including a Chandler EQ and tube harmonic distortion.
The Perspective Fader
CineHarpsichord includes our new Perspective Mode feature which allows for changes through microphone positions. When you activate Perspective Mode, a slider appears that gives a smooth crossfade between the microphone perspectives. The slider is automatically mapped to the Mod Wheel, giving instant control of the relative depth of CineHarpsichord.
Disposition
The disposition of a harpsichord is the set of choirs of strings it contains. The modern adaptation of a Franco-Flemish 1624 Iohannes Rückers Colmar harpsichord we sampled had multiple choirs of strings accessible by switching stops. These included two sets of 8-foot strings, one set of 4-foot strings, and a buff stop (lute stop) – a stop that pressed pieces of soft leather against the first 8-foot set of strings to produce a muted, pizzicato tone.
Single: 1×8’
Double: 2×8’
Triple: 2×8’ + 1×4’
Buff: 1×8’
On the Triple stop, lower velocities reveal a slight time difference between the choirs of strings. This is due to the physical mechanism plucking the lower choir of strings before the upper choir. During normal playing, they sound at the same time.
Round Robin Borrowing
The RR Borrow knob employes surrounding notes as additional round robins. A value of 6 results in up to +/- a tritone of borrowing providing up to an additional 24 round robins per note. A value of zero plays two round robins per dynamic level. Higher values result in more round robins and more tonal variation.
Release Volume
This knob offers control over the volume of the release samples. Note: this will affect the ambience of the instrument.
Dynamics
Normally there is very little dynamic variation on a harpsichord. However, the dynamics control allows for a certain range of variation.
Requires Kontakt 5.6.8 and above